Pop star The Weeknd enlists director Trey Edward Shults for a fictionalized recreation of the circumstances around a ...

The movie was ravaged by reviewers and audiences alike, marking the latest acting misstep — and that's putting it mildly — ...

The Weeknd's first feature film is a surrealist vanity project, writes Associated Press Music Writer Maria Sherman.

A few years on from The Idol, The Weeknd's newest project seems hell-bent on ruining whatever's left of his audience goodwill ...

Jenna Ortega and Barry Keoghan co-star in this film about a tormented pop star, which doubles as a feature-length promotion ...

An overlong, aimless vanity project that will only satisfy folks who've already decided they'll like it because of their ...

A filmic companion to the Weeknd’s latest album, this meta psychological thriller is all style and no substance.

As someone who has been a devoted fan of The Weeknd since Starboy, it pains me to say that Hurry Up Tomorrow is not only a ...

Named after Tesfaye’s latest studio album and directed by It Comes at Night ’s Trey Edward Shults, the navel-gazing and ...

What do you get when you put red-hot stars like the Weeknd, Barry Keoghan, Jenna Ortega, and Riley Keough in a movie together ...

In Trey Edward Shults' thinly drawn portrait of the artist, it would appear both star and subject is trading old indulgences ...

As per Variety, the Lionsgate-released film had a budget of $15 million USD but was “ [u]nable to overcome terrible reviews ...