Sami Abu Wardeh, Creepy Boys, the Edinburgh Art Festival pavilion and EIF's ambitious Orpheus and Eurydice lead the latest ...

A Genuine Appreciation of Comedy is a wilfully obtuse debut Fringe hour from sketch duo The Mayor and His Daughter.

When Mark Silcox's laptop crashes almost immediately at the outset of The Gold Trader, he scurries on stage, restarting his ...

Charlie Mulliner's Love Hunt showcases her undeniable acting talent, but the jokes don't quite reach the heights of her ...

It’s rare that a performance can so immediately transport you into another world; Ozzy Algar’s magical one-person show, Speed ...

Slovenian director Urška Djukić's Little Trouble Girls explores the friendship and burgeoning desires between teen girls from ...

Andrew Doherty returns to the Fringe with an irreverent takedown of arts funding bureaucracy and the desire to see artists to ...

Spillar focuses particularly on those least equipped to understand the economic crisis we find ourselves in, but likely to be ...

US comic Seaton Smith deserves a much bigger audience for Trauma Bonding, an old school show that's still wonderfully ...

Sharon Wanjohi's scripted material is underdeveloped in parts, but she makes up for it with impressive amounts of star power.

Edinburgh International Film Festival kicks off this week, in venues across the city including the newly reopened Filmhouse.

Kayleigh Jones shows tantalising promise as a brilliant musical comic in her debut hour I Fed My Dad to a Pelican.